Saturday, September 13, 2014

THUNDER IN PARADISE



The Thunder In Paradise movies are basically just episodes of the TV show slapped together into a full length movie.  Pretty low budget and cheesy as shit, but it's kinda like Indiana Jones meets Baywatch. 

Terry "Hulkstermaniac" Hogan plays some type of navy seal/mercenary named Hurricane Spencer. He rides around in a tricked out superboat called Thunder, saving woman and children from terrorists and gangsters in beaches and bays all across the land. There is a strange subplot where a woman needs to marry Hulk in order to save her beachfront hotel as per some weird clause in her dead fathers will. When Hulkster finds a secret map puzzle on the back of a necklace that he pulled out of a sharks stomach and then gave to a little girl who later becomes his daughter through the marriage clause thing,  Hulk and friends take his superboat out on a treasure hunt. But look out, Hulkster, there's a group of greasy commando creeps that are also out fo some a dat treasure!

Part 2 is more of the same but way shittier. Hulks new wife shares a dream with a long haired Fabio dude who turns out to be a prince that shows up to whisk her away. She tells Hulk that she just needs to go on this adventure real quick and for some reason he's cool with it. At first it turns out loverboy wants to give her away to his enemy as a peace offering. Then he decides to just keep her for himself.  Hulk hops in the superboat and blasts off to Arabia or some shit to get her back. 

There is a third part to this series that I'm still hunting for. I hope it's a little more part one and a lot less part two, but chances are it will be a big ol' pile of number two. 

Part 1 - 83 Terry Hogan Eye Patches out of 100 
Part 2 - 41 Magic Dream Crowns out of 100



Friday, February 3, 2012

Back-Up Romance



This is an article I wrote for Beat Route in it's original form. The published version contained some minor but borderline pointless changes, made by the man in a sorry attempt to oppress my freedom of speech. This is the O.G. shit. THIS IS BLOGPOWER.



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If you’re like me and the thought of watching the latest romantic shit bubble being expunged from Hollywoods ass these days makes you wretch, fear not! For there are alternatives to these clichéd, hollow, fart-fests. Films that dig their nails into our ribs and hold us close at night, whether we want them to or not because the simple truth is that romance in itself is a pretty fucking strange thing, so why should romantic film be any different? "When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what world calls a romance." That's an Oscar Wilde quote I found by googling 'quotes on romance'. Sounds appropriate. However, there are movies that can still teach us a thing or two about getting to know each other (in the biblical sense and otherwise) and momentarily allow us to put our McConaughate for romance in film aside. Films that stare back at you with that fuck or fight look in their eye and scream, "Baby, you’d better run me back to that hotel, you got me hotter than Georgia asphalt!" Of course, when you get back to the hotel, he or she may or may not turn into a giant insect and try to mutate you while literally becoming one with your body, but hey. Love’s a crazy thing.

No one knows this better than one Mr. Seth Brundle. David Cronenberg’s The Fly (1986) is as tragic of a love story as they come. After discovering a way to make teleportation possible, he decides to give a blossoming reporter the exclusive story and inevitably falls in love with her. Trouble is she has a jealous ex-boyfriend who keeps creeping around acting all sleazy until finally a misunderstanding leads to Seth getting shitfaced and playing around with his teleportation pods. I think we’ve all been there. A fly sneaks into the equation and without even being properly introduced, the pod plays matchmaker with fly DNA and Brundle DNA, slowly transforming him into a treacherous half man/half fly beast with the strength of 10 Brundleflys and a sweet tooth that would blow Phife Dog's mind. We are taught about the tribulations of unplanned parenthood, be it baby or huge maggoty-thing. We learn that sometimes you can’t have your cake and eat it too. Unless vomiting bile onto your cake first and slurping it through a straw is more your style. Ultimately we learn that sometimes in order to prove our love for something, we need to destroy it. Drink deep, or taste not, the plasma spring.

Alternately, sometimes we need to destroy ourselves for the same reason as in Lynne Stopkewich’s Kissed (1996). 10 years ago I went on one of my first dates with my current girlfriend and I asked her if she would prefer to watch a comedy or romance. She chose romance so I naturally chose Kissed. Considering the subject matter and her positive reaction to the film, it was clear she'd passed the test and I thus allowed her to join my street gang. Molly Parker plays a girl who grows up obsessing over death and romanticizing it to the point of, you guessed it, the big "N". She studies embalming and works with the dead to help quell her necrophilic desires. She struggles with dating and relationships because in order to get her motor running, her partners have to be dead. She finally meets a guy who wants desperately to understand her and is willing to make the ultimate sacrifice in order to do so. It might seem that a movie about a girl and her struggles with necrophilia would lose itself in such taboo subject matter, but actually holds a very human and compassionate element that leads us to see parallels between life, love and death that are so strangely relatable, it may very well have you running for the cemetary. So guys, why not treat her to some mid-coital dead-play this valentines day? Spicy!

Alex de la Iglesia’s The Last Circus (2010) plays out like an episode of Saved By The Bell where Zack and Slater are both crushing on the same girl. Only instead of working it out in the end and high fiving, they do PCP and kill everybody. It's the story of a sad clown named Javier who joins a circus and falls in love with an acrobat named Natalia. Natalia is married to Sergio, the happy clown. He drinks and beats the shit out of her on a regular basis. Javier decides he's had enough and it's time for a clown on clown war as they fight for Natalia's love. Too bad she doesn't have any love to give on account of being a total backbiting bitch. Unfortunately for them, they don't realize this until she's driven them both completely insane. The lesson here being that, although you may be seduced into going to great lengths for your sweetheart, it's best to be sure she's not a full blown bunny boiler before you lose your shit and press a hot iron into your face.

Lastly, my favorite romance of all time, a perfect little thing by David Lynch called Wild At Heart (1990). Sailor and Lula are super-duper-more than-anything-I'd-give-up-ice-cream-and-Corey-Haim-movies-for-you in love and all they want to do is run away and be 2gether 4ever. Instead, they end up on a road trip through hell, a bunch of unruly shit happens to them and they are forced to TCB. In fact, Sailor and Lula are so madly in love that at times it inhibits their judgement to the point of near mental retardation. What they've taught me is that even though you may not be able to control the onslaught of fiends and difilers, the dastardly bastards that try and drag you through life's subterraineuos ooze, you can get through it and most importantly almost always dance it out. It sounds stupid, but trust. Even if your girl's nails ain't dry yet, take her hand, crank up your jam, and get hyphy. It's basically the easiest form of romance.

So maybe you're not the romantic type. You're an introvert and a shut in and romance to you means 'succumbing to society's rules, man'. Maybe you've seen all the films I've mentioned and are now comprehensively mortified by the thought of romance. That's ok, too. It all comes down to one thing: Just be excellent to each other.

I think Oscar Wilde probably said that as well. Happy frenching!

Tuesday, December 13, 2011

















Welcome to Good Burger.

I just finished watching this one tonight. And shit was it good. I'm not just saying that.

This movie comes out of a skit in the television show "All That." I know, I had never heard of it either. Luckily, Medellee schooled me and now I know that All That is like the Mickey Mouse Club of Nickelodeon. Amanda Bynes was on this show! Many other rad people are connected with this. Holy shit, fuck back story, let's talk about the movie!

Classic "rich people come to town and try and threaten little guys who are genuine and will fight for the right to be awesome" movie, but Good Burger succeeds where others of this genre fail: I actually like the main characters! They have charisma! YAY!

To cut a long review short (too late), this movie is wonderful for fans of semi-subversive family fare. It is a very hilarious indictment of big business even though its reason for winning is confidence and a special sauce. Insane. Recommended when you want to be entertained and shut your brain off. Might I also mention Sinbad, Abe Vigoda, and Shaquille O'Neal?

4 Crushed Cars out of 5
I miss you bro.

Fast Getaway 2














In this crowd, I'm sure I'm late to the Fast Getaway 2 Party.

It has taken a very long time for me to muster up the courage to watch this film. The problem was always that the original Fast Getaway is one of my favourite Corey Haim films. And, as we all know, that is not something said lightly. I had a far easier time watching Demolition University because I KNEW it was going to be absolute shit. This one I hoped for; I wanted it to be at least sort of as good as the first. Incorrect, Tim.

Cynthia Rothrock is barely in this movie. Well, barely compared to how much I wanted her to be in it. As we all know, Rothrock is possibly the only badass female action star to ever ever exist. Demi Moore tried but failed within one movie. Rothrock's M.O. WAS badass action star, in every fucking movie. Rothrock gets second shrift to Haim in this picture. And that bums me out so hard. She was the best; her starring roles are so rad. Fast Getaway was SO. RAD. This movie basically just wasted all of the potential that Rothrock brought: instead, this movie was a vehicle to try and make Corey Haim a worthy adult actor.

I was really disappointed in this movie, if you didn't pick that up already. Even the scant action sequences that there were (featuring Corey Haim) were very unimpressive.

I think I'm really just so down on this movie because I loved the first one so very much. Please read this review knowing that. I love you.

8912763487 out of 1893749260q86587613847658763456 I don't even care.

Cyborg AKA Slinger














Oh man, did I make a mistake with this one. Not having ever seen the normal version of Cyborg I sort of assumed that the director's cut would be better. Basically, all this movie did was make me want to watch the other, studio cut, Cyborg (especially since said studio is Golan-Globus!(!!!!!!)). And the only reason I wanted to watch this film was so I could watch its sequel! Goddamnit. Anyways, it isn't bad, there's some rad killing and stuff, but the fucking director decided that a movie that skips back and forth through time would be arty and impressive and thus totally lost sight of the fact that he was making a fucking JEAN-CLAUDE VAN DAMME action movie. Ugh.
Pretty good, still quite entertaining, and the sets and cinematography are pretty rad. It opens really strong, so strong that I said to John, "this might be like a Mad Max for the nineties!" I was sadly mistaken. It gets bogged down in its unintelligible plot threads, which totally block the fact that it could be a rad post-apocalyptic road movie.
Anyway, this movie isn't worth more of my time reviewing it.
2 crucified extras out of 5.

Monday, December 12, 2011

EVIL TOONS (1992)

Welp. After the punishing twofer I experienced, I decided to regroup and watch something that's terrible in a gentle way.

ENTER: FRED OLEN RAY!

Ahhhh, what an excellent palate cleanser. Don't get me wrong, this movie was terrible - but in a nice predictable way. First of all, despite the awesome looking cover art, and the rad title, the cartoon characters in this are actually only onscreen for like, ten-ish minutes of the running time. IF that. However, what the shitty budget lacks, it more than makes up for in nudity. Of course. Are you surprised? As with every Fred Olen Ray/Jim Wynorski film every single female character eventually ends up topless at worst, and writhing with sexy feeling at best. Thus, this film is super dreck. Not that you'd be surprised. What I did like about this movie was the main lead. She was actually super cool and fairly decent at acting.

The plot was ridiculous as well, and that is enough of a segue for me to mention that fucking DAVID CARRADINE is the evil otherworldly villan. His role is so so so shitty, and he phones it in so hard. I, for one, cannot believe he is in this movie, but then, there you go!

Basically, this movie is like if Cool World sucked and had a shitty budget (hahaha, wait.) Okay, it's like Who Framed Roger Rabbit sucked really hard and Bob Hoskins was totally coked up and washed out (wait?)

I rate this movie the same amount of time that cartoons were actually onscreen: 1/15
Still it was a nice palate cleanser.